Tag: festival
Coachella Goes Boom(er) With Classic Acts Steely Dan, AC/DC

Coachella Goes Boom(er) With Classic Acts Steely Dan, AC/DC

By Lorraine Ali, Los Angeles Times (TNS)

The Coachella Valley Music and Arts Festival has always been considered a bastion of cool for the young and hip.

Passes for that annual desert festival sell out months before the lineup is even announced. Nocturnal electronic dance music fans brave the daylight to hear their favorite DJs, and everyone who’s anyone wants to be seen in the VIP area. (Hello, Kanye and Kim.)

So what, exactly, are classic rock staples Steely Dan and AC/DC doing at the top of the bill opening night Friday?

Simply put: the wow factor.

To create buzz around the festival — and to ensure it continues to sell out — promoter Goldenvoice needs to offer a few surprises in the lineup each year, concert industry experts say. Two years ago, for example, promoters brought the Stone Roses back from a long hiatus (to mixed reviews).

“The concern is that, one day, you won’t be selling out before the lineup is announced,” says Kevin Lyman, a veteran Southland promoter and founder of the Vans Warped tour, which celebrates its 20th anniversary this summer. “But until then, you’re in a great position to wow everyone with a curveball. To get everyone talking. That’s what AC/DC does.”

The difference this year is that neither AC/DC nor Steely Dan appears to be in Coachella’s DNA. This is a festival with its roots in alternative rock and dance music; AC/DC is straight-up hard rock, and Steely Dan is a pastiche of rock, jazz, and pop (“Genuine Dad Rock” is how one fan described Steely Dan’s sound on the Coachella website’s chat board).

Probably the only comparable act to headline Coachella was Paul McCartney. But as an ex-Beatle, he’s in a class by himself.

It’s a bold or misguided move, depending on whom you ask. Executives with Goldenvoice, a unit of sports-entertainment giant AEG, declined to comment for this story, but the promoter’s track record speaks for itself.

Since launching 16 years ago on the Empire Polo Grounds in Indio, Coachella has emerged as the nation’s most successful music festival. It was expanded from one to two weekends in 2012. Both weekends grossed an estimated $78 million last year.

About 200 rock, rap, dance, and R&B acts will perform on multiple stages this weekend and next — and smaller bands will be playing countless corporate-sponsored pool parties and other private events throughout the Palm Springs area. The business spinoffs keep multiplying; this year, fashion brand H&M has even launched its own line of Coachella-inspired attire.

But upping the ante in unexpected ways is critical at this point for Coachella — which must meet especially high expectations to continue its success.

One benefit of booking older-skewing acts may be the expansion of Coachella’s audience. According to the festival’s website, the vast majority of attendees are under 45.

Adding acts that may attract baby boomers with more discretionary spending power could increase sales of concessions, especially as the festival devotes more space to bars and gourmet food outlets.

Compared with other festivals, including Bonnaroo, Lollapalooza, and Outside Lands, Coachella is known for its high-end appeal and high prices. General admission wristbands go for $375, while its myriad VIP packages go from $900 well into the thousands.

As for extras, one can pre-purchase VIP parking closer to the grounds and a four-course meal in the Rose Garden for $225. And if traffic is simply too bourgeois, book a private jet as part of your special experience.

Still, for the Coachella fan who needs to eat ramen to save up for the fest, having a few legendary bands on the bill might help justify the expense.

“If younger means less affluent, when you talk about seeing AC/DC in a reserved seat situation, it can get really expensive,” says Charlie Walker of C3, the promoter behind Lollapalooza in Chicago. “This is a way for them to experiment.”

For AC/DC, whose members are almost all in their 60s, playing a festival with rapper Azealia Banks and EDM titan Kaskade helps the band reach a demographic that might otherwise think twice about the metal music of their parents.

“For the artist, it’s a matter of trying to broaden your audience,” says Gary Bongiovanni, president and editor in chief of the concert industry trade publication Pollstar. “Coachella has so much cachet to it, that even the heritage baby boomer rock acts can see the benefit in playing it.”

Other top destination festivals will feature classic rockers at the top of their shows as well: Lollapalooza has McCartney, Bonnaroo has Billy Joel, and San Francisco’s Outside Lands will headline Elton John.

Not everyone’s psyched about Coachella’s reaching into the AARP catalog of rock.

“I want to see them, but I feel like it’s almost inevitable that they’ll conflict with someone I want to see more. I’m not going to pass up someone I’m genuinely stoked for… just to take a romp through the nostalgia fields,” wrote one commenter on the festival’s site.

AC/DC singer Brian Johnson downplays the buzz — good and bad — around his band headlining Coachella’s opening night.

“Kids have been spoiled with so many things online, but I think…seeing bands live is still exciting,” he says. “Still makes your hairs go up and get goose bumps. Not just us — any band that comes on and they’re good.”

Photo: Coachella via Facebook

Hindu Festival’s Supporters In India Cheer Easing Of Safety Rules

Hindu Festival’s Supporters In India Cheer Easing Of Safety Rules

By Parth M.N. and Shashank Bengali, Los Angeles Times

MUMBAI, India — India’s highest court on Thursday relaxed safety measures intended to prevent injuries during a beloved religious festival that involves children clambering to the tops of human pyramids and breaking ceremonial pots.

The Indian Supreme Court’s ruling came less than a week before the daylong festival of Janmashtami, which overtakes Mumbai, India’s commercial capital, every August.

The celebration marks the birth of the Hindu god Krishna, who is portrayed in religious epics as an impish kid who formed human pyramids with his friends to steal butter and curd kept in pots hanging from the ceilings of homes. In the modern tradition, men practice for weeks to form pyramids as tall as 40 feet, sending children climbing up to reach the pots.

Every year, there are cases of severe and sometimes fatal injuries. Earlier this week, after a 14-year-old boy and a 19-year-old man died while practicing for the festival, a Mumbai court intervened for the first time, prohibiting the hanging of pots above 20 feet and barring the involvement of people younger than 18.

The new rules prompted an outcry among the participants — known as “govindas” — who said the change undermined a popular Hindu tradition. Responding to an appeal, the Supreme Court on Thursday issued an interim order removing the height ban and said children older than 12 could participate in this year’s festival, to be held Monday, while reserving a final decision for a later date.

“I am relieved. What is the fun of the whole event if the pot is hanged at an unchallenging height?” said Santosh Jogle, a 36-year-old grocer who has been a govinda for two decades.

“And what is 100 percent safe in life?” he added. “Nothing.”

Others said the ban on young children was impractical and even dangerous, as it meant that older and heavier govindas would need to scale the pyramids, placing those below at greater risk of injury.

“An 18-year-old would weigh at least 50 kilos,” or 110 pounds, said Anil Pawar, a 30-year-old electrician who has participated for the last five years. “It would make it more difficult to balance the whole act if he is at the top. The age limit of 12 is fine.”

Children’s activists argue the once innocent practice is increasingly commercialized and dangerous. Local politicians fund extravagant events and invite Bollywood megastars to add glamour, with cash prizes for the winning teams that reach into the thousands of dollars.

The biggest competitions draw throngs of spectators and some are even televised, encouraging teams to take bigger risks. Head and spine injuries are common. The number of injured govindas in the Mumbai area has risen in recent years from at least 205 in 2011 to nearly 500 last year.

The restrictions were “long overdue,” said Vikas Sawant, a children’s rights activist. “The reversal is deplorable.”

The Mumbai court instituted other measures to protect the safety of participants, requiring organizers to ensure that ambulances and first aid are available and to furnish participants with helmets and safety belts.

But the height and age rules did not sit well with those the court sought to protect.

“We have been playing this sport from ages and it is unjust … to disallow children from participating,” Bala Pednekar, president of an umbrella body of govinda groups, told reporters before the Supreme Court announcement. “We will continue our tradition no matter what.”

Political figures who use the annual event to bolster their standing in Mumbai were also opposed to any attempt to regulate it. The state of Maharashtra filed an appeal, saying it could not implement new rules so close to the holiday.

“It is not proper to shut a religious festival this way suddenly,” said the state’s home minister, R.R. Patil.

Daya Sawant, a 44-year-old who runs a car rental business, began playing the sport at age 9 and said it helps instill strength and team spirit in children.

“The involvement of kids is important for their growth,” he said. “When they climb at the top, they develop courage.”

Parth M.N. is a Times special correspondent.

Photo via WikiCommons

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