He had lost a son many years before, the boy barely more than a toddler when he died. Now another son was dead and grief sat on him like the shawl that draped his shoulders as he rattled around the big, cold house. His wife was emotionally troubled and spent money they did not have. His subordinates were insubordinate, convinced he was out of his depth and that they could do a better job. And his country had split along a ragged seam of geography and race, boys from Maine and Vermont fighting it out against boys from Georgia and Tennessee, their bodies left broken, bloated, bloody and fly-swarmed, dead by the profligate thousands.
It was against that backdrop that Abraham Lincoln decided to say thank you.
He issued a proclamation making the fourth Thursday in November a day of national gratitude. Almost 150 years later, it still is.
This year, the commemoration follows a bitter election, with secession being bruited about like some distasteful joke, and the atmosphere so acrimonious it calls to mind the years before the Civil War itself. It also comes as we are rediscovering our 16th president yet again, this time through Lincoln, a new film directed by Steven Spielberg and starring Daniel Day-Lewis.
The movie has drawn rave reviews — and deservedly so. It frees Abraham Lincoln from the sarcophagus of marble in which great men are inevitably encased. Day-Lewis’ Lincoln steps down from the memorial to rail, scheme, despair, fret and, when all else fails, tell a folksy story as he attempts to shove the 13th Amendment — the one that ended slavery — through a balky Congress.
Amid all the renewed interest in Lincoln, one hopes we don’t miss the lessons inherent in the simple fact that a man of such profound grief made a statement of such profound gratitude. There is contradiction there — and the resolution thereof. Contradiction was the story of Lincoln’s presidency, his epic struggle to put North and South back together. It was also the story of his life.