‘Notorious RBG,’ in its celebration of the trailblazing Supreme Court Justice, glosses over some of the hardships she faced.
David Cay Johnston reviews Donald Trump’s latest release, which is less a book than it is “a jumble of contradictions and thoughts that have not yet reached the half-baked stage.”
Jimmy Carter lets us down. Not with his new book — a warm and detailed memoir — but with his response to the question “Does the arc of history bend toward justice?”
There is something irresistible about that point where art and crime intersect: the money, the egos, the jet-set country club types — not to mention all the talk about provenance and brush strokes and craquelure.
It would be a mistake to read Harper Lee’s Go Set a Watchman as a sequel to her 1960 Pulitzer Prize-winning To Kill a Mockingbird. There are many points of divergence or overlap between the novels, which are related in a complicated way.
Calling Dickens’ authorial claim “the greatest literary hoax in history,” Jarvis weaves a staggering amount of research into a gripping, fictionalized presentation of his emphatically non-fictional argument: Dickens stole both the concept as well as various scenes and characters in Pickwick.
The timing couldn’t be more appropriate: Last week, barely five days after Dylann Storm Roof allegedly killed nine people at Charleston’s Emanuel African Methodist Episcopal Church, the Justice Department’s The Ferguson Report, first made public in March, came out in book form.
There’s not much to Milan Kundera’s 10th novel, The Festival of Insignificance — his first work of fiction since 2000’s Ignorance — but then that’s part of the point.
In his book The Great War of Our Time, former CIA deputy Director Michael Morell explains the blunder that led to Saddam Hussein being deposed and sent him into hiding in a spider hole.
Dreamland is a tale of two artificial and highly permeable membranes. One separates legal and illegal drugs, the other Mexico and the United States.
David McCullough’s new book on the brothers brings them into sharper focus, and their story — one of thoughtful study, rigorous scientific experimentation and calm persistence, founded on sober Midwestern values — is worth knowing.
‘Here Comes the Night’ by Joel Selvin is the story of Bert Berns, an R&B producer whose “name may be lost, but his music is everywhere.”
Mohamedou Ould Slahi, a prisoner at Guantánamo Bay, Cuba, wrote a 466-page memoir from his cell, which is a hellish account of perpetual torture.
If there are lessons to be extracted from these three books, they have as much to do with the dangers of elite consensus as with those of dissent.
As this memoir makes clear, the Oliver Sacks truly contains multitudes: The compassionate scientist who travels to Mexico to look at ferns has also been a motorbike buff, competitive weightlifter, and, in the past, a drug abuser.
Nick Cave has long operated in a particular rock ‘n’ roll tradition: that of the poete maudite. Patti Smith, Jim Morrison, Lou Reed, Bob Dylan — these are some of the analogues to Cave’s creative posture. Not surprisingly, like all of them, he has not only made music but also written books.
In a way, the “boys in blue and gray” also still live with us in the experiences of veterans returning home from the Iraq and Afghanistan wars. Caring for those who have borne the battle and for their families remains an urgent task.
In ‘One Nation Under God,’ historian Kevin Kruse argues that the current state of religion’s entanglement in our politics is not the product of piety, but of corporate lobbying, religious pitchmen, and Hollywood stagecraft.
Why is the art of acting so important to Americans and to our culture? David Thomson explores the mysteries of our favorite craft in his beguiling new book.
In her new memoir, ‘It’s What I Do: A Photographer’s Life of Love and War.’ photographer Lynsey Addario discusses her experience working in war zones, and makes a powerful case for the importance of the war correspondents.