Tag: ruby bridges
Organizers protest Robert E. Lee statue in Charlottesville, VA in 2017.

Statues Come Down While Barriers To Truth Are Erected

Reprinted with permission from Roll Call

In Charlottesville, Va., where a Unite the Right gathering of neo-Nazis, white supremacists, Lost Cause devotees and other angry history deniers left destruction and death in their path in 2017, there was a different scene this past weekend.

The city removed statues of Confederate generals Robert E. Lee and Stonewall Jackson, memorials to those who fought on the losing side of a Civil War to maintain the brutal and murderous institution of slavery. They were erected as monuments to white supremacy, not in the 1860s but the 1920s, a Jim Crow threat to Black citizens to "know their place."

Now, as then, there are those opposed to this bit of progress, with arguments that removing the stone idols would mean erasing history, which is ridiculous since that history will never disappear from books, museums and tall tales handed down by the "never forget" brigade.

Ironically, many of these same folks would be only too glad to forget what really happened, during that bloody Civil War and in the 100 years after — the ingenious laws and policies that continue to reverberate through everything from health care to housing.

As part of the plan, they've come up with a fear-based campaign to, you got it, erase any part of American history that deals with racism and the ways it was intentionally embedded in American institutions. And predictably, this battle in a war that has never ended is actually gaining momentum that Republican politicians hope to ride to electoral victory.

The Ultimate Snowflakes

They could not do it without the cooperation of aggrieved parents fighting against something they haven't even tried to understand.

I really wish that instead of tying themselves into contradictory knots, these troops standing in the way of the truth — the ultimate snowflakes trying to "cancel" facts — would come clean and just admit that it's not history they're opposed to, it's any reckoning that gets in the way of their myths.

The version of history they love is what's been spoon-fed to many generations until fairly recently — propaganda in the name of patriotism. The concern "for the children" expressed in tear-stained testimony at school board meetings from Loudoun County, Va., to Chandler, Ariz., only extends to certain kids, their own. It leaves out the Black, brown, Asian American and Native American children who have suffered through and been traumatized by a white-washed tableau that either villainizes or disappears American heroes who always have been stalwart fighters for an inclusive and welcoming society, also known as America as it supposedly aspires to be.

There is no more absurd example than in Tennessee, where parents from "Moms for Liberty" don't want children to learn about what six-year-old Ruby Bridges endured when she integrated her New Orleans elementary school in 1960. The image of young Ruby immortalized by quintessential American artist Norman Rockwell depicts her daily walk surrounded by federal marshals. To get an education, her body and soul had to survive angry white parents, faces twisted, who greeted her with jeers, who threatened to poison her, who, when a child her age should have been playing with baby dolls, held up a coffin carrying a Black one so Ruby could get the message.

So, white children of today are too fragile to merely read about the dangerous racism a 6-year-old faced not that long ago? Do their parents realize they are still trying to bar Ruby Bridges from school?

A complaint is that Ruby's story needs more whites in shining armor.

Well, there were a few, including Barbara Henry, a white teacher from Massachusetts, who did the job she was paid to do for the year Ruby was in a class all her own. And there are the parents who eventually sent their children back to get an education, in more ways than one.

The star of her story, though, is Ruby, someone any child should admire. She never cried or whimpered, said federal marshal Charles Burks. "She just marched along like a little soldier." A former first lady, Eleanor Roosevelt, wrote her a letter.

An argument brought up again and again in these curriculum fights is that teaching stories like Ruby's causes children of color to think of themselves as victims. The opposite is true. Ruby, at 66, is still an activist, as well as a wife and mother. Ruby Bridges Goes to School: My True Story, her book that parents are so afraid of, teaches lessons of resilience and strength that transcend color. The message she continues to share: "I tell children to be kind to each other."

Oh, the horror!

Beyond The Classroom

Children wrongly taught that America was and has always been perfect, presumably grow into the fragile flowers that Sen. Tom Cotton believes need protecting when they enter the military. In the manner of the thought police in Russia or China, the Arkansas Republican is trying to get an instructor at the U.S. Air Force Academy fired for teaching about systemic racism that shaped all-American institutions, like the military.

Does Cotton not know that African Americans fought for the right to fight and die for a country that enslaved them, discriminated against them, segregated them into separate units until 1948?

Was Cotton not taught of the Japanese Americans who fought in World War II — including in one of the most decorated regiments in the country's history — while family members back home were herded into internment camps, suspect only because of their race and ethnicity?

That made their sacrifice more patriotic, with their numbers in service still strong. Though they lack representation at the top, about 43 percent of the 1.3 million men and women on active duty in the United States military are people of color.

People of color in America know, have always known about, injustice, just as six-year-old Ruby learned. Being clear-eyed about how the country falls short of its ideals only hardens the determination to right those wrongs.

And, in truth, it's not just students of color whose lives continue to be affected by systemic racism. In a Texas school, a white teacher gave white students permission to use the "N-word." In California, a high school basketball team had its title taken away for throwing tortillas at members of the opposing, predominantly Latino team at a postgame "celebration."

All children, as well as adults who should know better, have learned only too well lessons about the country's power divide, about who counts and who does not.

When you hide history, a price will be paid. Esther Bejarano knew. The Auschwitz survivor, who used the power of music to fight anti-Semitism and racism in postwar Germany, died recently at the age of 96. She used to tell the young people: "You're not guilty of what happened back then. But you become guilty if you refuse to listen to what happened."

When I study the pictures of those everyday Americans spewing hate at a 6-year-old and then the faces of angry parents and politicians, so insistent on burying the truth, my wish is that they listen, then look in a mirror.

Mary C. Curtis has worked at The New York Times, The Baltimore Sun, The Charlotte Observer, as national correspondent for Politics Daily, and is a senior facilitator with The OpEd Project. Follow her on Twitter @mcurtisnc3.

This Is ‘The Problem We All Live With’

This Is ‘The Problem We All Live With’

Ruby Bridges was 6 years old when federal marshals escorted her through a screaming crowd of angry white adults so that she could be the first black child to attend an all-white school in the South.

On the morning of Nov. 14, 1960, the marshals drove Ruby and her mother to her new school, just five blocks from her home. Two of the men walked in front her, and two behind. Four years later, this historic moment appeared on the cover of Look magazine, in a painting by Norman Rockwell titled “The Problem We All Live With.”

All. Every last one of us.

In the painting, Ruby is dressed in white — white dress with a bow at the small of her back, white socks, white sneakers — and marching forward with a ruler and notebook in her hand. The marshals are wearing suits and yellow armbands. She is walking against the backdrop of a wall splattered with thrown tomatoes and the word “NIGGER” scrawled just above her head.

She was a brave little girl that day. Years later, one of her federal escorts, Charles Burks, said she never cried, never whimpered. “She just marched along like a little soldier.”

Ruby entered the school and spent the first day in the principal’s office. Ultimately, only one teacher — Barbara Henry, a new transplant from Boston — agreed to instruct her. Ruby was Mrs. Henry’s only student in the class for most of that year because all of the other parents refused to allow their white children to learn alongside her. She brought lunch from home because marshals were afraid a woman might make good on her threat to poison her food. Another woman approached her one morning with a black doll in a wooden coffin.

Rockwell’s oil painting, on a 35-by-58-inch canvas, is an iconic image from that dark period in our history. In 2010, President Barack Obama requested that the painting hang outside the Oval Office to commemorate the 50th anniversary of Ruby Bridges’ historic walk into that school. The following summer, she visited the White House to view the painting with the president.

“I think it’s fair to say that if it hadn’t been for you guys,” he told her, “I might not be here, and we wouldn’t be looking at this together.”

She was visibly moved. “Just having him say that meant a lot to me,” she said later that day. “But to be standing shoulder to shoulder with history and viewing history, it’s just once in a lifetime.”

I hadn’t planned to start this column with the story of Ruby Bridges. I was going to first tell you about a political cartoon by conservative Glenn McCoy that is getting a lot of attention this week. I changed my mind after spending time earlier today with my journalism students in the ethics class I am teaching at Kent State University.

First, I showed my students McCoy’s cartoon for the Belleville News-Democrat, which replaces Ruby Bridges with an infantilized version of Education Secretary Betsy DeVos. She, too, is flanked by marshals; the wall is still splattered with tomatoes. But the graffiti over her head is “CONSERVATIVE.” McCoy added a swipe at the largest teachers union by scrawling “NEA” at the wall’s edge.

The cartoon is meant to depict DeVos, whose appointment required an unprecedented vote by the vice president to break a tie in the Senate, as a victim. She was, after all, temporarily blocked by protesters from entering a school in Washington, D.C. She entered through a different door, and that was that for the white billionaire.

“So like Ruby Bridges,” says absolutely no one familiar with civil rights history in this country.

After I showed my students Rockwell’s painting, we talked about that brave little black girl and the history behind Rockwell’s painting. Our discussion confirmed, yet again, my faith in these millennials. They struggled mightily with how to strike a balance between McCoy’s First Amendment right to express his opinions with his art and their outrage over the false equivalence of this cartoon.

The reluctant consensus: Run McCoy’s cartoon, but counter it with the image of Rockwell’s painting, and tell the story of Ruby Bridges.

This is “The Problem We All Live With.”

We know what we have to do.

Connie Schultz is a Pulitzer Prize-winning columnist and professional in residence at Kent State University’s school of journalism.

IMAGE: William Frantz Elementary School, New Orleans, 1960. “After a Federal court ordered the desegregation of schools in the South, U.S. Marshals escorted a young Black girl, Ruby Bridges, to school.” Note: Photo appears to show Bridges and the Marshals leaving the school. She was escorted both to and from the school while segregationist protests continued. Public domain via WikiCommons.